Na Xiaoxian's paintings begin with "fun" but not only end with fun, more importantly, there is some kind of "meaning" behind this kind of fun, which prompts us to think about a question: Is there something common to "childlike fun" in the "classics" that people look up to? They prompt us to think about the question: Is there something in the "classics" that people look up to that is in common with the "fun" of children? In her series of works "Moe Turns Over the Classics", the artist has re-interpreted the classic works in art history with the expression of full of children's fun, letting those familiar paintings present a light and interesting side while retaining the flavor of "classics", letting people re-enter the heavy history of art with a light heart, and letting the historical classics, which were originally full of solemn atmosphere, show their daily life. It also makes the historical classics, which are originally full of solemn atmosphere, show their daily life and simplicity. Creative Concept: As a post-90's artist, the pop culture represented by "Moe culture" has become part of their daily life, and the "de-sacredization" of the classical culture has become a consensus, at the same time, Na Xiaoxian, who majored in ink and wash, can feel the collision of classical and pop culture more in her. The collision of classic and popular culture can be felt more often in her body. Not only is it visually cute, but the artist sees it as a state of the world. Through the interpretation of the child-like budding new interpretation of young people full of hope and courage to live the attitude.